![]() |
|||||
Sign up for the mailing list to get news and updates. Upcoming Shows: |
|||||
| "Branch from the Tree"
Personnel
Select a link below to hear a clip in streaming audio. Send feedback to Art.
Reviews for Branch from the Tree From Seth Rogovoy of the Berkshire
Jewish Voice: On “Branch from the Tree” (HRL Records) by Art Bailey’s Orkestra Popilar, the bandleader and arranger digs deep into the mostly Romanian repertoire of immigrant-era great Joseph Moskowitz, who specialized in composing and performing elegant suites of music on tsimbl, or hammered dulcimer. With his quintet, something of an all-star ensemble including fellow Klezmer Conservatory Band members Jim Guttman on bass and Brandon Seabrook on mandolin, as well as two young, up-and-coming violinists, Bailey revives the lively sound of Moskowitz’s suites in arrangements that should appeal to fans of Andy Statman’s early klezmer recordings. And with this CD, Bailey establishes a place for himself in the forefront of revival-style klezmer, alongside musicians with whom he’s performed, including violinist Alicia Svigals, clarinetist David Krakauer, and trumpeter Frank London. From George Robinson
of the Jewish Week: From Ari Davidow of KlezmerShack.com:
About Art Bailey's Orkestra Popilar Orkestra Popilar is a Jewish music ensemble led by accordionist and pianist Art Bailey and featuring bassist Jim Guttmann, violinists Jeremy Brown and Jake Shulman-Ment, and mandolinist Brandon Seabrook. The repertoire includes 20th century Jewish fiddle pieces, improvisation, newly composed music, and pieces from the klezmer and Eastern European repertoire. The sound of the ensemble owes more to the urgent, fiery sound of Romanian string and cymbalom ensembles than to Jewish-American wedding bands of the 40s and 50s, and draws from the cross-pollinated Romanian/Jewish repertoire, as well as Bailey’s own original compositions. With the absence of the American dance band drum set and clarinet, the group takes klezmer music out of the realm of the archetypical 1950s klezmer sound most listeners are familiar with, and puts it in a setting that is reminiscent of an even earlier time in the recorded history of Jewish music. The result is fresh, unique, and thoroughly engaging. The idea to form the group initially was inspired by the recordings of Joseph Moskowitz, the Romanian cymbalom master who settled in New York City around 1913 and was owner and operator of the Moskowitz Wine Cellar on Rivington Street in lower Manhattan. The wine cellar was a popular gathering spot for Romanian Jews, who were certainly drawn in by Moskowitz’s cymbolm playing, and the restaurant was patronized by some of the celebrities of the day including H.L. Mencken, Theodore Dreiser and Joseph Pulitzer. Not only did Moskowitz’s repertoire include what we know as klezmer, but it also included ragtime, parlor pieces, and European classical compositions, all filtered through his musical and life experiences, and expressed in a fundamentally Jewish way. The group’s aim is to remain true to Moskowitz’s spirit of being willing to experiment with klezmer music forms, and at the same time trying to discover and retain the elements that give the music its Jewish identity.
Contact Information:
|
|||||
All
content and audio © 2006 Art Bailey,
all rights reserved. Photography © 2006 http://www.lloydwolf.com.
Site design by Teresa Bailey. |
|||||